The bodies of work that make up The Inflict Machine do not function as independent series, but rather as modules of an ongoing investigation into the formation of the subject within contemporary power structures. Each block addresses a distinct dimension—behavior, genealogy, capital, politics, and conflict—articulating a narrative that connects childhood, representation, and historical responsibility. Together, these series constitute a critical archive on how power is inscribed on identity and reproduced through it. The series are timeless, allowing me to enter and exit them at different points in time.